Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit. Tish’s mother, played by Academy Award winner Regina King (Best Supporting Actress) must decide how far she will go to secure her daughter’s future.
If Beale Street Could Talk also received Oscar nominations for Best Adapted Screenplay (Barry Jenkins) and Best Original Music Score (Nicholas Britell). The film is an adaptation of James Baldwin’s poignant novel and it is Director Barry Jenkins’ ambitious follow-up to his Oscar-winning Moonlight.
“You’ve never seen romantic love depicted on screen with such lyrical and gorgeous intensity, or systemic injustice brought to such vivid and enraging life.”
Glen Weldon, NPR
117 minutes

It’s 1956 and during a visit to West Berlin, high school students Theo and Kurt witness dramatic footage of the Budapest uprising. Back at in Stalinstadt, they spontaneously hold a two minute silence during class in solidarity with the victims of the Hungarian struggle against Soviet oppression. But the gesture causes much bigger ripples than expected. The People’s Education Minister condemns the action as a counterrevolutionary act and demands that the ringleader be named, forcing the students to choose between standing together or not.
The fiction-feature debut from writer-director Rohena Gera, Sir uses the charming, intimate story of forbidden attraction to address the issue of class divide in modern India.


The last days of Oscar Wilde – and the ghosts that haunted them – are vividly evoked in Rupert Everett’s directorial debut. Everett gives a career defining performance as Wilde, physically and emotionally embodying the literary genius as he lives out his last days in exile in Europe. His body ailing and heavy, his mind spinning, he survives by falling back on the flamboyant irony and brilliant wit that defined him. As the film travels through Wilde’s final act and journeys through England, France and Italy, desire and loyalty face off, the transience of lust is laid bare, and the true riches of love are revealed.
Based on Ann Patchett’s best-selling novel, this dramatic love story follows a famous soprano (Julianne Moore) who travels to a military dictatorship in South America to give a private concert at a party for a wealthy Japanese industrialist (Ken Watanabe). Just as the glittering gathering of diplomats and politicians convenes, the mansion is taken over by a guerrilla rebel group demanding the release of their imprisoned comrades. Threats are made, lives are lost, a tense negotiation begins, and a month long standoff ensues. While they are confined to the house, the hostages and their captors, who speak different languages, are forced to find ways to communicate. Music, especially the beautiful arias performed by Moore’s character, a songbird in captivity, sparks a shared sense of comradeship and even love, uniting the disparate housemates as they form unexpected bonds, overcome their differences, and discover their shared humanity.
Fiona Maye (Emma Thompson) is an eminent High Court judge in London presiding with wisdom and compassion over ethically complex cases of family law. But she has paid a heavy personal price for her workload, and her marriage to American professor Jack (Stanley Tucci) is at a breaking point. In this moment of personal crisis, Fiona is asked to rule on the case of Adam (Fionn Whitehead), a brilliant boy who is refusing the blood transfusion that will save his life. Adam is three months from his 18th birthday and still legally a child. Should Fiona force him to live? Fiona visits Adam in the hospital and their meeting has a profound emotional impact on them both, stirring strong new emotions in the boy and long-buried feelings in her.
After marrying a successful Parisian writer known commonly as “Willy” (Dominic West), Sidonie-Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. She pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette’s fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression.




